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Stoker's notes for Dracula show that the name of the count was originally "Count Wampyr", but Stoker became intrigued by the name "Dracula" while doing research, after reading William Wilkinson 's book An Account of the Principalities of Wallachia and Moldavia with Political Observations Relative to Them London , [20] which he found in the Whitby Library and consulted a number of times during visits to Whitby in the s.

In the present day however, dracul means "the devil". Costing six shillings, the novel was bound yellow cloth and titled in red letters.

Dracula was not an immediate bestseller when it was first published, although reviewers were unstinting in their praise. According to literary historians Nina Auerbach and David J.

Skal in the Norton Critical Edition, the novel has become more significant for modern readers than it was for Victorian readers, most of whom enjoyed it just as a good adventure story.

It reached its broad and iconic status only later in the 20th century when the movie versions appeared. It did not make much money for Stoker.

Murnau's unauthorized adaptation of the story was released in theatres in in the form of Nosferatu. Stoker's widow took affront and, during the legal battle that followed, the novel's popularity started to grow.

Nosferatu was followed by a highly successful stage adaptation, touring the UK for three years before arriving in the US where Stoker's creation caught Hollywood's attention and, after the American movie version was released, the book has never been out of print.

However, some Victorian fans were ahead of the time, describing it as "the sensation of the season" and "the most blood-curdling novel of the paralysed century".

I think it is the very best story of diablerie which I have read for many years. Similarly good reviews appeared when the book was published in the U.

In the last several decades, literary and cultural scholars have offered diverse analyses of Stoker's novel and the character of Count Dracula. Bentley reads Dracula as an embodiment of the Freudian id.

Senf reads the novel as a response to the powerful New Woman, [42] while Christopher Craft sees Dracula as embodying latent homosexuality and sees the text as an example of a 'characteristic, if hyperbolic instance of Victorian anxiety over the potential fluidity of gender roles'.

Arata interprets the events of the novel as anxiety over colonialism and racial mixing , [44] and Talia Schaffer construes the novel as an indictment of Oscar Wilde.

Bruno Starrs understands the novel to be a pro- Catholic pamphlet promoting proselytization. Dracula is a work of fiction, but it does contain some historical references; although it is a matter of conjecture and debate as to how much historical connection was deliberate on Stoker's part.

During his main reign — , "Vlad the Impaler" is said to have killed from 40, to , European civilians political rivals, criminals, and anyone that he considered "useless to humanity" , mainly by impaling.

The sources depicting these events are records by Saxon settlers in neighbouring Transylvania who had frequent clashes with Vlad III. Vlad III is revered as a folk hero by Romanians for driving off the invading Ottoman Turks , of whom his impaled victims are said to have included as many as , Historically, the name "Dracula" is derived from a Chivalric order called the Order of the Dragon , founded by Sigismund of Luxembourg then king of Hungary to uphold Christianity and defend the Empire against the Ottoman Turks.

Vlad II Dracul , father of Vlad III, was admitted to the order around , after which Vlad II wore the emblem of the order and later, as ruler of Wallachia, his coinage bore the dragon symbol, from which the name "Dracula" is derived since "dracul" in Romanian means "the dragon".

The name "Dracula" became popular in Romania after publication of Stoker's book. Contrary to popular belief, the name Dracula does not translate to "son of the devil" in Romanian , which would be "fiul diavolului".

Stoker came across the name Dracula in his reading on Romanian history , and chose this to replace the name Count Wampyr originally intended for his villain.

Who was it but one of my own race who as Voivode crossed the Danube and beat the Turk on his own ground? This was a Dracula indeed! Woe was it that his own unworthy brother, when he had fallen, sold his people to the Turk and brought the shame of slavery on them!

Was it not this Dracula, indeed, who inspired that other of his race who in a later age again and again brought his forces over the great river into Turkey-land; who, when he was beaten back, came again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since he knew that he alone could ultimately triumph!

He must, indeed, have been that Voivode Dracula who won his name against the Turk, over the great river on the very frontier of Turkey-land.

Many of Stoker's biographers and literary critics have found strong similarities to the earlier Irish writer Sheridan Le Fanu 's classic of the vampire genre Carmilla.

The Irish legend of Abhartach has also been suggested as a source. Particularly themes of being buried while alive.

In , McNally additionally suggested that Stoker was influenced by the history of Hungarian Countess Elizabeth Bathory , who allegedly tortured and killed between 36 and young women.

Haining and Tremaine maintain that, during this visit, Stoker was especially impressed by Slains Castle's interior and the surrounding landscape.

Miller and Leatherdale question the stringency of this connection. Many of the scenes in Whitby and London are based on real places that Stoker frequently visited, although he distorts the geography for the sake of the story in some cases.

One scholar has suggested that Stoker chose Whitby as the site of Dracula's first appearance in England because of the Synod of Whitby , given the novel's preoccupation with timekeeping and calendar disputes.

The short story "Dracula's Guest" was posthumously published in , two years after Stoker's death. It was, according to most contemporary critics, the deleted first or second chapter from the original manuscript [66] and the one which gave the volume its name, [6]: It is Walpurgis Night and the young Englishman foolishly leaves his hotel, in spite of the coachman's warnings, and wanders through a dense forest alone.

Along the way, he feels that he is being watched by a tall and thin stranger possibly Count Dracula. The short story climaxes in an old graveyard where the Englishman, caught in a blizzard, takes refuge in the marble tomb of "Countess Dolingen of Gratz".

Within the tomb, he sees the Countess—apparently asleep and healthy—but before he can investigate further, a mysterious force throws him clear of the tomb.

A lightning bolt then strikes the tomb, destroying it and incinerating the undead screaming countess. The Englishman then loses consciousness.

He awakens to find a "gigantic" wolf lying on his chest and licking at his throat; however, the wolf merely keeps him warm and protects him until help arrives.

When the Englishman is finally taken back to his hotel, a telegram awaits him from his expectant host Dracula, with a warning about "dangers from snow and wolves and night".

Dacre Stoker and J. Barker will write a prequel to Dracula titled Dracul. An interpretation of the missing pages of the original novel, it was pieced together from Bram Stoker's editorial notes, artifacts, and journals.

The story of Dracula has been the basis for numerous films and plays. Stoker himself wrote the first theatrical adaptation, which was presented at the Lyceum Theatre on 18 May under the title Dracula, or The Undead shortly before the novel's publication and performed only once, in order to establish his own copyright for such adaptations.

This adaption was first published only a century later in October Murnau 's unauthorised film adaptation Nosferatu was released in , and the popularity of the novel increased considerably, owing to an attempt by Stoker's widow to have the film removed from public circulation.

Galeen transplanted the action of the story from s England to s Germany and reworked several characters, dropping some such as Lucy and all three of her suitors , and renaming others Dracula became Orlok , Jonathan Harker became Thomas Hutter, Mina became Ellen, and so on.

This attempt failed to avoid a court case, however; Florence Stoker sued Prana Film, and all copies of the film were ordered to be destroyed.

However, the company was bankrupt, and Stoker only recovered her legal fees in damages. Some copies survived and found their way into theatres.

Eventually, Florence Stoker gave up the fight against public displays of the film. Florence Stoker licensed the story to playwright Hamilton Deane , whose stage play adaptation toured England for several years before settling down in London.

Balderston to revise Deane's script in advance of its American premiere. Balderston significantly compressed the story, most notably consolidating or removing several characters.

The Deane play and its Balderston revisions introduced an expanded role and history for Renfield, who now replaced Jonathan Harker as Dracula's solicitor in the first part of the story; combined Mina Harker and Lucy Westenra into a single character named Lucy ; and omitted both Arthur Holmwood and Quincey Morris entirely.

Seward reprised for the English-language version of the Universal Studios film production. It was an international hit for Hammer Film, and Lee fixed the image of the fanged vampire in popular culture.

Christopher Lee also took on the role of Dracula in Count Dracula , a Spanish-Italian-German coproduction notable for its adherence to the plot of the original novel.

Playing the part of Renfield in that version was Klaus Kinski , who later played Dracula himself in 's Nosferatu the Vampyre.

The character of Count Dracula has remained popular over the years, and many films have used the character as a villain, while others have named him in their titles, including Dracula's Daughter and The Brides of Dracula.

As of , an estimated films feature Dracula in a major role, a number second only to Sherlock Holmes films. A large number of these appearances are not adaptations of Stoker's novel, but merely feature the character in an unrelated story.

From Wikipedia, the free encyclopedia. This article is about the novel. For the eponymous character, see Count Dracula. For other uses, see Dracula disambiguation.

Dracula in popular culture. Retrieved 8 October Chapter 6, Mina Murray's Journal, 26 July. Holmwood, he is the Hon. The Essential Dracula , Chapter 13, Note Retrieved November 18, Retrieved 4 June Retrieved 13 September Retrieved 8 October — via Google Books.

Cain 4 April Romania - My Old Haunts. The Metamorphosis of a Fiend. Interview with the Vampire Queen: Elizabeth Miller - PBS".

The Bride of Corinth [From my grave to wander]. Retrieved 8 October — via Project Gutenberg. Florescu and Raymond T.

McNally and Radu R. Pudlevitcz 1 November Retrieved 29 November Universal Pictures , 70 Cal. A Life of Bram Stoker" Retrieved 26 November A Yearly Journal of Folklore Studies.

University of New England Retrieved 17 May On "Nosferatu " ". The Monster in the Bedroom: A Wilde Desire Took Me: Legacy of the Romanian 'Dracula professor ' ".

Vlad the Impaler Dracula. Tourism, Identity and the State in Romania". Retrieved 10 January Dracula was a Woman. The Legend of Bram Stoker and Dracila.

Constable , quoted by Miller, Elizabeth. Desert Island Books, , p. See also Leatherdale, Clive. Johnson, On the Track of the Crescent: Erratic Notes from the Piraeus to Pesth.

Hurst and Blackett, Its Products and Its People. The Shade and the Shadow, ed. Desert Island Books, ; cf.

See the haunting cover". Retrieved 28 March Sylvia Starshine, Pumpkin Books, Nottingham. Progressive Silent Film List".

The Encyclopedia of the Undead". The A-Z of vampires" October 31, Davison, Carol Margaret Hans verkliga slott hade förvandlats till en ruin och var knappast värt ett besök, och allt tal om blodsugande vampyrer betraktades bara som en del av böndernas myter och hade ingen plats i det moderna socialistiska Rumänien.

Dacia finns inte att köpa i Danmark längre, men Dracula, vampyrism och mystiken kring Dracula lever vidare. Vem var den verklige Dracula?

Han var en politisk manipulatör som drog i strid mot en mäktig kung i Budapest, kämpade mot de ottomanska turkarna och handskades brutalt med avundsjuka rivaler, skumma köpmän och skrämda bönder.

De beskrev Vlad Tepes grymma handlingar, hans diktatoriska styre och ständiga krig mot ungerska baroner och turkiska sultaner.

Vlad Tepes var ökänd i Centraleuropa som Monstret i Valakiet. Vlad Tepes blev ett offer för de politiska intrigerna i Transsylvanien.

Kringresande trubadurer underhöll publiken, precis som dagens skräckfilmer. Dracula var mannen som alla älskade att hata, mannen som gav fritt utlopp för sina mördarinstinkter.

Dracula, menade krönikören, var inte galen som saxiska rykten försökte antyda. Snarare hade han en känsla för rättvisa.

Det finns berättelser om hur Vlad tagit livet av präster vilka i stället för att predika den kristna läran hade handlat med materiella ting.

Vlad lät även avrätta kvinnor som inte respekterade sina män och munkar som ljög för honom. Ivan den förskräckliges anhängare använde berättelserna om Dracula för att visa makten hos den centrale härskaren, den gode tsaren.

Man framhöll hans brutalitet som ett rättvist utövande av makt, snarare än handlingar av en galning. Berättelserna var tänkta att visa att härskaren hade en av Gud given rätt att använda tortyr och straff om det allmännas bästa krävde det.

Dracula-myten i Ryssland underströk att hans makt var total, och att denna makt hade ett heligt ursprung och därför inte kunde bedömas av människor.

Det var Bram Stokers roman Dracula och de senare filmerna som skapade sambandet mellan denne transsylvaniske greve och blodsugandet.

Det finns emellertid en utbredd tradition av vampyrmyter i östra Europa, särskilt i Transsylvanien. För att kunna tillgodose sitt dagliga behov, erbjöd hon unga flickor arbete i hennes palats.

I Paris gick mängder av pjäser som handlade om vampyrer.

Author: Mauhn

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